​Best Movies On Demand on Google Play Store Fall 2017 - Part 2

We searched through the offerings of all of the above to bring you the Best Movies On Demand, though no one service offers them all. We limited it to new VOD movies available to rent for less than $10 (not buy) on Google Play Store. Now you need to buy Google Certificate Online at USCardCode and then enjoy all of those.

Baby Driver

a film that is so eager to get you on its candy-crush wavelength that resistance doesn’t just seem futile, but downright uncharitable. This is nothing you haven’t seen before

This movie is all about sensation, about grooving on the very specific but unquestionably catchy hook Wright has laid down for you. The movie is wall-to-wall music, seemingly taken straight from Wright’s own iPod, and his enthusiasm is infectious.

Wonder Woman

It’s not quieter necessarily, but it is more measured, more comfortable in its own skin, less fanboy desperate to keep waving keys in front of your face—exploding keys—to make sure it has the full attention of all your assaulted senses. It feels almost old-fashioned in its themes of the goodness of humanity—and the debate alien outsiders have about whether or not humans are worthy of redemption—and the selflessness of one for a greater good. It still has too many skyscraper-sized god-monsters blowing up whole acres in hackneyed super slo-mo, and it doesn’t have much you haven’t seen before, but that it simply tells one story in linear order with logical progression…man, when it comes to these movies, it almost feels like a miracle.

After the Storm

After the Storm knows better, recognizing all the ways that he’s failing his kid—and also how, like its own kind of genetic gravity, Ryota is becoming his old man, unable to correct the mistakes of the past. But there’s no scorn in Kore-eda’s depiction of Ryota’s transformation: The middle-aged man will come to understand how little he knew about his dad and also why he still craves connection to him, even though he thought he didn’t.

War for the Planet of the Apes

War for the Planet of the Apes is an absorbing, intelligent finale. The film builds to an ending that, although not particularly surprising, feels appropriate—even inevitable—considering all that’s come before. When Rise of the Planet of the Apes hit theaters in the late summer of 2011, it suggested a franchise in which humanity—flawed, noble, susceptible to its worst tendencies but trying to live up to its highest ideals—would eventually find itself under attack by an enemy of its own making. But rather than suggesting that apes deserve to overthrow us, this series has instead wondered if there’s something inherently broken about the way communities operate that will always endanger their well-being.

Jackie

This, most of all, the Chilean director understands: If the film is about grief, then the film must act as grief acts. Unmoored and aimless, Jackie acts like a bad dream. Of course, the black hole at the core of Jackie is the assassination, rendered in one graphic image Larraín treats fairly. Throughout, the film hovers around the rim of this moment, and for much of Jackie’s running time, that moment seems like it will never come. When it does, though, it’s a relief we never realized we needed. Portman as Jackie pushes against the film’s reveal of that tragic split-second, and the film pushes too, and at times you want the film to stop pushing so much. This is grief, Larraín beautifully says—it is exhausting and relentless and dull, and, most of all, selfish. Sorry the movie is that way too.

What do you think about all of those on demand. If you want to give some more, please leave your comment below.