Posted by US Card Code on February 13, 2018
The best movies on Netflix right now are not always the easiest to find, titles coming and going with sometimes seemingly little rhyme or reason. Rather than spending your time scrolling through categories, trying to track down the perfect film to watch, we’ve done our best to make it easy for you at USCARDCODE.COM you can buy Netflix Gift Card with instant delivery.
Here are the top 5 movies streaming on Netflix in February 2018:
The Adventures of Tintin
The Adventures of Tintin marks the first big screen treatment of the immensely popular comic book character in nearly 40 years (and, really, the first one of note originating from Hollywood, ever). After all, the intrepid carrot-topped reporter/sleuth stands with fellow Franco-Belgian characters Asterix and Obelix as a titan of European comics. Created by Belgian artist Georges Remi (under the pen name Hergé), Tintin’s adventures have been translated into more than 50 languages and inspired a decently rabid following of “Tintinologists” who have discussed, debated, critiqued and theorized on virtually every imaginable aspect of Tintin and his friends.
An unhappy little girl discovers an alternate reality that seems to offer all the magic and wonder her real home lacks, only to discover the sinister implications behind the candy-colored exteriors. Gaiman’s inventive approach to fairy-tale rules matches Selick’s luminescent colors and blend of everyday emotions and dream-like wonders.
Finding Dory is the rare sequel that repurposes the original as character foundation rather than as a cheap form of fan service. What could have been an easy cash-in becomes something surprising—a sometimes terrifying and sometimes inspiring follow-up that reaches new emotional depths.
The Life Aquatic with Steve Zissou
The Life Aquatic with Steve Zissou, Murray plays the sad wash-up as he has so many roles in this late phase of his career, like a classic Pixies song: Zissou possesses a chilly, utterly subdued state of being towards the insanity around him, until his frustrations burst to the surface with a brilliantly cutting line like, “Son of a bitch, I am sick of these dolphins.” Murray’s enigmatic preference for keeping his characters’ emotions close to their chests provides ample contrast between sardonic humor and something sincerer, even during big action sequences, like when the Zissou team rescues Jeff Goldblum’s Allistair Hennessey (“Steven, are you rescuing me?” Murray’s response, a pained half-smile and barely-there head cock, is deadpan brilliance).
Karl Marx City
Karl Marx City lies in the way it manages to use Epperlein’s own personal story—her quest to discover whether her late father was, in fact, a Stasi informant—as a conduit to explore this harrowing period in German history without coming off as merely solipsistic. Here is a sterling example of a deeply intimate story that successfully opens out into broader historical terrain in genuinely eye-opening ways.
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