Posted by US Card Code on February 09, 2018
The best movies on Netflix right now are not always the easiest to find, titles coming and going with sometimes seemingly little rhyme or reason. Rather than spending your time scrolling through categories, trying to track down the perfect film to watch, we’ve done our best to make it easy for you at USCARDCODE.COM you can buy Netflix Gift Card with email delivery.
Here are the top 5 movies streaming on Netflix in February 2018:
Jafar Panahi’s Taxi
Taxi consists of his interactions with these different people, some of whom recognize him. Episodic and off-the-cuff, the 82-minute film initially feels like a lark, a renowned filmmaker spending a little time with everyday folks. But around the time that a married couple gets into the cab, the husband bloody and badly needing medical attention, it becomes clear that Panahi’s setup is actually a ruse, the whole project a work of fiction. But the trickery is less about deceiving the audience than it is about creating an environment in which Panahi can most clearly articulate his grief and anger.
Creep 2 is that rare follow-up wherein the goal seems to be not “let’s do it again,” but “let’s go deeper”—and by deeper, we mean much deeper, as this film plumbs the psyche of the central psychopath (who now goes by) Aaron (Mark Duplass) in ways both wholly unexpected and shockingly sincere, as we witness (and somehow sympathize with) a killer who has lost his passion for murder, and thus his zest for life. In truth, the film almost forgoes the idea of being a “horror movie,” remaining one only because we know of the atrocities Aaron has committed in the past, meanwhile becoming much more of an interpersonal drama about two people exploring the boundaries of trust and vulnerability.
The Transfiguration refreshingly refuses to disguise its influences and reference points, instead of putting them all out there in the forefront for its audience’s edification, name-dropping a mouthful of noteworthy vampire films and sticking their very titles right smack dab in the midst of its mise en scène.
April and the Extraordinary World
April and the Extraordinary World as an intense workout for your brain, during which the film shapes a surrogate Earth in the span of mere minutes and fires off salvos of detail, visual and aural alike, in the pursuit of recalibrating the past. The inattentive and unimaginative need not apply. Good news for diligent viewing types, though: April and the Extraordinary World is pretty great, a compact exercise in world-building without handholding that rewards a patient, observant audience.
This is the norm, until Nicolas’s boy-like curiosity begins to reveal a world of maturity he’s incapable of grasping, discovering one night what the mothers do once their so-called “sons” have fallen asleep. From there, Evolution eviscerates notions of motherhood, masculinity and the inexplicable gray area between, simultaneously evoking anxiety and awe as it presents one unshakeable, dreadful image after another.
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